(n) a school of painters who used a technique of painting with tiny dots of pure colors that would blend in the viewer's eye; developed by Georges Seurat and his followers late in 19th century France
(n) a genre of painting characterized by the application of paint in dots and small strokes; developed by Georges Seurat and his followers in late 19th century France
The Collaborative International Dictionary of English (GCIDE) v.0.53
n. (Painting) A theory or practice which is a further development, on more rigorously scientific lines, of the theory and practice of Impressionism, originated by George Seurat (1859-91), and carried on by Paul Signac (1863- -) and others. Its method is marked by the laying of pure primary colors in minute dots upon a white ground, any given line being produced by a variation in the proportionate quantity of the primary colors employed. This method is also known as (stippling). [ Webster 1913 Suppl. ]
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